Friday, September 16, 2011

To be in the Studio or on the computer?

Originally I began blogging last year as a way to get myself to continually look for inspiration and I created it as a place to put that inspiration for my own self-reference. Furthermore, often when I come across things that I find inspiring I can't wait to share them with people. Voila: blog. Lately this blog has also taken on another purpose: it's a place for me to share the personal creative work I've been doing. It also happens to be inspirational to me, so I see it as a WIN-WIN.

Though I have been working on personal projects, they've mostly been digital, which means my studio time has diminished to almost nothing. This makes me sad. The other day I was shopping at the fabric store, getting some muslin to begin dyeing new curtains... again (my first attempt with the snow dyes was less than fantastic and my second attempt was less than spectacular as well), and I found the perfect fabric for a skirt I've been wanting to make. I decided not to let myself get the fabric because I already have at least half a dozen garment projects at home waiting for my attention. I told myself if I made one of those then I could go out and buy the fabric. So on a Friday afternoon, I stopped by the library to get some audio books on my way home, and spent the weekend sewing a shirt together.

I listened to one of these books twice, and have since listened to it again. It's right up there with the Elizabeth Gilbert TED talk that I go back to often, which I have previously blogged about. The book is called Ignore Everybody and 39 Other Keys to Creativity by Hugh MacLeod. You can download the earlier version of his book for free and keep up with him on his blog.

Anyway, what I want to talk about here is the connection I made to one of the things Hugh MacLeod talks/writes about: Putting the hours in. This is where he mentions not being worried that someone might rip-off his idea of drawing on business cards because he does it for his own satisfaction and he's done so many of them that no-one could really overtake him in the sheer numbers produced AND it would be less satisfying for them because of whatever crazy reasoning they put behind it. I am relating to this in my process of creating puzzle photos as well as my more recent little planet creations (though sometimes I think of them as marbles because that's what they look like to me: a moment of time and space trapped in a glass sphere). Was I the first to come up with either of these ideas? No. And I probably won't be the last. My process has become my own and with each one I do, that process changes just a little bit. I create them for my own satisfaction.

I've been doing these puzzle photos for six years now, so I have quite a collection of them, and I'm always trying to figure out how to make them better. Sometimes I just don't get why one didn't work. Typically I can't really tell when I'm taking the photos how the final composition will look, so I've taken to increasing the number of photos and angles I take, which means that I end up producing even more of these final puzzles.

Well I've finally put all my puzzles and little planets from 2011 in one place: in my behance portfolio and I'm working on including all the puzzles I created from 2005-2010.

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